Danjas work is focused on relationships between humans, non-humans and our perception of nature. These entities are often depicted as speculative microcosms. Her process-driven practice draws from personal experiences, like fungi cultivation, glacier expeditions and experimental photography techniques like cyanotypes.

Seeking to capture isolated views of simultaneous movements through these observations. She is particularly interested in the structures and networks that can be found in certain ecosystems. Her practice revolves around visual arts including painting, printmaking and photography primarily alternative processes, from which she creates a blend between imagination and reality.

Exploring fictional perspectives that understand and complement each other independently. A predominant approach of Danjas work is to question the anthropocentric attitude. Thus she forms a non-hierarchical view that blurs different entities in a contemporary narrative.